Glossary
This glossary includes
many Wushu styles, Wushu practitioners, Wushu weapons, and Wushu
terms that practitioners of Chinese martial arts can refer to. It
is by no means a complete list of all the possible terms in
Wushu, but we believe we have compiled the most inclusive list of
Wushu styles in one book. Next to the description of the styles
and weapons we have included many photos of practitioners of
these styles and weapons. All styles and weapons are described
under the Chinese pinyin romanization and cross referenced with
the English equivalent.
It is not our intent,
nor is it possible, to fully describe each and every style in one
book. Our intent in this glossary is to present the rich variety
of Wushu styles that are available. There are even more styles
that have not been included in this glossary. To learn the
specifics of each Wushu style we have presented in this glossary,
you will need to study from an instructor of that particular
style and or other resource. Hopefully, the information given in
this book will stir your curiosity to learn more about the
different styles out there.
In the list of the known
routines named under each style, we have selected some
representative routines. It is by no means a complete list of the
routines of that style. Also, in our research we found some
discrepancies in the information from different sources. We have
presented what is available to us. Again, to learn more knowledge
about a specific style, please study with a qualified
practitioner of the style.
The practitioners whose
photos appear in this glossary are introduced under the
practitioners name. We have included many of the most
outstanding Wushu practitioners and instructors today. With their
photos, we hope you will gain a better understanding of the
characteristics of the style they represent. Many of these
practitioners are prominent figures in multiple Wushu styles. Due
to a limitation of typesetting space, we were only able to
include some photo demonstrations and a short biography (125
words) of the practitioners. If you would like to know more
details and accomplishments about the practitioners, please
contact them directly.
The authors have put a
lot of effort into compiling the biographies and photographs of
the many practitioners. It is their hope that their efforts will
help promote not only these practitioners, but Wushu in general,
and to help prospective students of Wushu find teachers that suit
their particular needs. No payment was received from the
practitioners included in this glossary. The authors believe and
wish that these practitioners will continue to be pillars of
Wushu and our society.
At the end of this
glossary are two addendums listing many other practitioners not
included in the main section of the glossary. Next to their names
we have included the last known location of these practitioners.
The authors hope that with these lists and the descriptions in
the main section of the glossary you will have a good starting
point for locating a practitioner in your area.
There are several
different standards used in the romanization of Chinese
characters to the Roman alphabet. They include pinyin,
Wade-Giles, Yale, Gouyu, and Hong Kong. The romanization system
used in this volume is the pinyin system. Pinyin is the official
romanization system of the Peoples Republic of China which
was adopted in the 1950s. It is now widely adopted and
accepted in China and abroad. The pinyin system of romanization
is generally spelled more phonetically than other romanization
systems.
China is a vast country
with over fifty ethnic groups. Each ethnic group has their unique
dialect of Chinese. Even though the dialects may differ from one
region of China to the next, the written language is the same. In
the pinyin romanization of the Chinese characters, we have used
the official dialect, Mandarin putonghua or guoyu.
If there is any
confusion regarding the romanization of the Chinese characters
using other systems, look up the term in this glossary. We have
cross referenced many terms with other romanizations. For
individuals that can read Chinese characters, we have included
most of the Chinese characters in this glossary. The characters
are placed next to the translated term or the pinyin, in
alphabetical order.
Unlike the common
English way of writing or addressing people by their first name,
Chinese surnames are placed ahead of the given name. This
sometimes causes confusion to readers. Many people are unable to
tell which is the first name and which is the surname. Most
Chinese names are three syllables long, one for the surname and
two for the first name. There are, of course, exceptions. The
given name (first name) is often romanized with a hyphen (-) with
each of the syllables in the given name capitalized or is lumped
together in a romanized form with only the first letter
capitalized. Chinese names all have a significant meaning to the
individual, each syllable in the name can be a word. The
combination of syllables can add to the meaning of an individual
word, or can have a totally different meaning if written
separately or in a different context. In this glossary, all names
are listed in alphabetical order with the last name first.
A
Alamudeen, Saleem
He began his Wushu training in the early 1970s. He
is a prominent practitioner of Hongjiaquan in the U.S. He is
also a practitioner of Taijiquan, Baguazhang, Xingyiquan, and
Qigong. He currently teaches at the Lam Tang Kung Fu Academay
and the Circle Center Tai Chi School See his photo
demonstration under Hongjiaquan.
Anhui Province
A Chinese province located on the eastern part of China. The
Yangtze River runs right through this province. It borders
Jiangsu Province to its east and covers over 139 thousand
square kilometers with a population of over 61 million people
as of 1999.
Arsenalt, Al One
of the founding members of the International Wushu Sanshou
Dao Association (IWSD); and a martial arts instructor and a
police officer for the Vancouver Police. He is currently the
President of the IWSD. He is well-known for his ground
control techniques, Karate, Judo, Jujitsu, Taijiquan,
Shuaijiao, Qinna, and Qigong abilities. He received a gold
medal for his performance in the 1994 Shanghai International
Wushu Festival. He is a sixth level black belt in Wushu
Sanshou Dao. See his photo demonstration under Wushu
Sanshou Dao.
Ax see Fu
B
Ba A rake
(Drawing B-1). It evolved from a farming tool into an ancient
military and Wushu weapon.
Baguazhang An
Internal Style Wushu also romanized as Pa Kua Chang, and
translated as Eight Trigram Palm. This style originated from
the Emei Mountains. One of the major branches of Baguazhang
came from Dong Haichuan (1813-1882), a Qing Dynastys
royal bodyguard from Heibei Province who traveled to the Emei
Mountains and learned Baguazhang. He received his inspiration
from Daoist teachings and derived the Baguazhang Style.
Dongs students had already studied other martial arts
before learning from him. Therefore, Baguazhang has developed
many different characteristics since Dong himself.
There are other
sources of Baguazhang other than from Dong Haichuan. Some
believe that the Priest Gao Xian of the Hebei Province
also learned it in the Emei Mountains. His Baguazhang was
known as the Hard Eight Palm . Also, in Hebei Province,
Wang Zhaoxian and Tian Hui from Beijing both practiced
variations of Baguazhang from the Emei Mountains. Their
Baguazhang is over 300 years old, and is not directly related
to Dong Haichuan. However, the most influential development
of Baguazhang is from the Dong Haichuan lineage.
The theoretic
foundation of Baguazhang is based on the Yijing (,
Book of Changes). Bagua or the eight trigrams are the basic
elements of the Yijing. This style integrates circular
stepping and energy circulation with martial arts movements.
The movements are always changing, spinning and turning,
while rapidly moving in curvilinear patterns. Its movements
are described as, "Walk like a dragon, retrieve and spin
like an ape, change momentum like an eagle, and calm and
steady like a still tiger". In its applications,
Baguazhang uses motion against an opponents stillness,
and stresses the use of rapid stepping and turning movements
to evade an opponents frontal attacks. One of the most
predominant characteristics of Baguazhang is the use of palms
(zhang) for its applications, thus the style is named
Baguazhang.
Figure
B-1: Bagua Zhuanzhang /Zhao Ziqiu
Figure
B-2: Bagua Sanshou Saber/Wang Shutian
Figure
B-3: Baguazhang Application/Liang Shou-Yu and
Wu Wen-Ching
Figure
B-4: Baguazhang Application/Jerry Alan
Johnson
Figure
B-5: Swimming Body Baguazhang /Helen Liang
Figure
B-6: Jiulong Baguazhang/John Painter
Figure
B-7: Bagua Low Stance Training/Sam Masich
Figure
B-8: Bagua Deer Hooks/Wu Wen-Ching
Figure
B-9: Bagua Saber/Yang Fukui
Figure
B-10: Baguazhang/Robert Ross
Figure
B-11: Baguazhang/Zhang Li
Figure
B-12: Baguazhang/Zhang Hong Mei
Figure
B-13: Bagua Saber/Thomas Uva, Robert Ross,
Denise Breiter-Wu, Jeffrey Lykins, Howard
Means, Ryan May, Frank Whitsitt-Lynch
Baihequan Translated
as White Crane Style. This is a Southern Style. The
characteristics of the White Crane style include light and
agile movements; short, but ever changing, hand movements;
and a whiplike manifestation of power from the waist. The
origin of Baihequan is believed to have been passed down from
Fang Huishi who learned his martial arts from the Southern
Shaolin Temple and later taught it to his daughter, Fang
Qiniang . The time period was between 1662 and 1735.
Legend has it, that
Fang Qiniang was on her way home from washing clothes one day
and observed a great white crane on the roof of her home.
Driven by curiosity and apprehension that the crane would
damage the clothes she hung out to dry, she took a stick and
attempted to scare the crane away. When she tried to hit the
head of the crane, the crane moved its head and extended its
wings to defend against the strike. When she tried to hit the
wings of the crane, the crane agilely jumped away and used
its claws to deflect the stick. When she tried to spear to
the cranes body, the crane shook its wings, while
retreating and striking forward with its beak.
Fang Qiniang was
amazed and impressed with the cranes ability and
studied the crane movements. From then on, the crane rested
on the roof of her home everyday, and she attacked the crane
to study its movements. She then combined her Southern
Shaolin martial arts training with the crane movements and
created Baihequan.
Also see Fujian
Hequan and Wuzuquan.
Figure
B-14: Baihequan/Jeff Bolt
Figure
B-15: Fujian Hequan/Augustine Ngu
Baimeiquan Translated
as White Eyebrow Style. This is an Emei Style. Legend has it,
that it was created by a Taoist priest named Baimei. The
known routines include: Xiaoshizi , Dashizi , Sanmenbagua
, Shibamoqiao , and Menghuchulin . This style is
popular in Guandong Province, Hong Kong, and many
Southeastern Asian nations.
Figure
B-16: Baimeiquan/Ken Low
Bajiquan
Translated as the Eight Extreme Fist. It is commonly believed
that Bajiquan was known as Baziquan as recorded in the
Ming Dynasty Wushu classic, the New Book of Effective
Disciplines (). The modern version of Bajiquan is
believed to have been passed down from Wu Zhong
(1712-1802). According to legend, Wu Zhong learned his
Bajiquan from a wandering Daoist. Its characteristics include
explosive power, stomping the foot, and utilizes close range
movements in its applications.
Figure
B-17: Old Bajiquan/Adam Hsu (photo by Marie
Anthony)
Figure
B-18: Big Frame Bajiquan/Michael Li
Figure
B-19: Bajiquan/Tony Chen
Barbosa, Fred He
began his Wushu training from Wu Wen-Ching in 1999. He is a
Way of the Dragon School assistant instructor, and a Systems
Engineer for Fleet Bank Boston. See his photo
demonstration under Wushu Bingqi.
Batuo The
first Abbot of the Shaolin Temple. Legend has it, that
Emperor Xiaowen built the Shaolin Temple for Batuo to
teach Buddhism in 495 A.D. He was there for over thirty years
before Damo.
Beijing City
The capital of China and one of Chinas four
municipalities that is under the direct jurisdiction of the
central government. It is a political, economic,
transportation, science, and cultural center. Bejing is
located in the Northeastern part of China, about 150
kilometers from the Bohai Sea. It covers over 16 thousand
square kilometers, with a population of over 12 million
people as of 1999.
Beipai Beipai
is used as opposed to Nanquan. This term refers to Wushu
styles originating in the areas above the Yangtze River in
China.
Benglong Wushu
This term refers to the Wushu developed by the Benglong
ethnic people living in the Yunnan Province. The Benglong
people are known for their bravery and love of Wushu. Their
Wushu is known as Zuoquan , meaning Left Fist. When engaged
in combat or competition, their winning blow often comes from
their left fist, thereby, the term Zuoquan. Benglong Wushu
has high stances. They have a weapon routine known as
Benglongdao .
Bian A whip.
It can be one piece or chain linked. This term refers to
weapons with whip-like characteristics. Chain linked bian
include the Seven, Nine (Drawing B-2), or Thirteen Sectioned
Chain. A one piece bian is a hard whip. Zhujieganbian (,
Drawing B-3) is a hard whip with the body carved into
bamboo-like sections with sharp protrusions.
Figure
B-20: Nine Sectioned Chain/Hansen Lee
Figure
B-21: Nine Sectioned Chain/Hui Mo
Figure
B-22: Double Chain/Joel Timons
Figure
B-23: Saber and Chain/Sam Li
Biangan see
Gun
Bishil, Hassan
(1968-) Born in the city of Makkah, Saudi Arabia. In 1987,
Mr. Bishil started Wushu training in his home country. Three
years later, he began traveling around the world seeking out
Wushu and Qigong teachers. He has studied on a one-to-one
basis with several prominent Wushu and Qigong teachers in
China, Hong Kong, and North America. Since 1992 he has been
teaching and holding workshops in Saudi Arabia and the U.S.
He is a member of the International Wushu Sanshou Dao
Association. See his photo demonstration under Tanglangquan.
Bishou Refers
to a double edged dagger (Drawing B-4). It is also referred
to as duanjian or short sword. It is classified as a small
weapon, used for close range applications. Bishou is used
singularly or in a pair.
Bodhidharma see
Damo
Bolt, Jeff
One of most significant contributors to the promotion of
Wushu in the United States. He was one of the first to
organize national Wushu competitions in the United States. He
has been the director of U.S. National Chinese Martial Arts
tournaments since 1986. He was instrumental in forming a
national Wushu federation and has served as an administrator
for several organizations. He was the Vice President of
U.S.A.W.K.F. and was the Sanshou coach of the U.S. National
Wushu Team. He currently teaches in Texas, USA. See his
photo demonstrations under Changquan and Baihequan.
Boziquan Cripple
Style. This style was created by a Chan Buddhist priest,
Jinyun . It imitates the characteristics of a handicapped
or injured person in its movements. There is only one known
routine with over 80 movements.
Breiter-Wu,
Denise She is the editor of this book and many others.
She is a former elementary school teacher and movement
therapist. She is the cofounder, and now works as the
director, an instructor, and an editor at The Way of the
Dragon School and Publication Company. She has been
practicing Wushu, Taijiquan, and Qigong for over 20 years.
She is the wife of Wu Wen-Ching and the mother of Andrew Wu. See
her photo demonstrations under Baguazhang, Chaquan, and
Wangshi Wushu.
Bujas, Tony
Also known as Ante Bujas. He is a Third Level Black Belt in
Wushu Sanshou Dao. He is also an instructor of Xingyiquan,
Baguazhang, and Sanshou at the S.Y.L. Wushu Institute. He
studied Hongjiaquan for ten years, and has been studying
Internal Style Wushu and qigong from Shou-Yu Liang for more
than ten years. See his photo demonstrations under Huheshunxingquan,
Guai, and Wushu Sanshou Dao.
C
Cailifoquan One
of the Southern Styles of Guangdong Province. This style was
created by Chen Heng . Chen first learned Fojiaquan from
his father. Later, he also studied Liquan from Li Youshan
and Caiquan from Cai Fu . Chen combined the essence
of the three styles and created Cailifoquan. This style is
popular in Guangdong, Foshan , Hong Kong, Europe, and
America. There are numerous routines in this style. Its
movements are described as "Still like static water when
on guard, and attack like a hungry leopard catching its
prey."
Figure
C-1: Hongsheng Cailifoquan /Wong Tat-Mau
Figure
C-2: Cailifoquan/Mak Hin Fai
Figure
C-3: Xiongsheng Cailifoquan /Sam Ng
Figure
C-4: Liuyedao /Hilbert T.S. Yiu
Figure
C-5: Panlonggun /Hilbert T.S. Yiu
Caiquan Translated
as Cai Family Fist. This style was created by Cai Boda and
Cai Jiuyi . They were monks from Fujian Shaolin Temple.
Later, it was spread to Guangdong Province by the monk Cai Fu
. It is one of the major Southern Styles in Guangdong
today. Some of the known routines include: Shiziquan ,
Dayuntian , Xiaoyuntian , Tianbianyan , Lusuimei ,
and Liangyisixiangquan .
Canbimen Translated
as Silk Reeling Style. This style originated from Huang
Yichuan of Jiangxi Province. Canbimen focuses on coiling
and neutralizing. Its movements are continuous like the
reeling of silk, thus the term Can, meaning silk or silk
worm. There are over seventy known barehanded routines,
thirteen weapon routines, and thirteen Sanshou training
methods.
Figure
C-6: Inviting Hand/Zhao Ziqiu
Cangzhou Wushu
This term refers to the Wushu styles known in the Canzhou
area. Cangzhou is located in Hebei Province. Historically,
Cangzhou was poor. To make matters worse, the government
officials were corrupt and took advantage of the people. To
defend themselves, the Cangzhou people had to train Wushu.
There were many
other factors which made Cangzhou a gathering place for Wushu
practitioners. Many Wushu practitioners were exiled to
Cangzhou. Some were sent there as prisoners and some were
there to hide from government persecution. Because of the
many talented Wushu practitioners in Cangzhou, ancient armed
guards would humble themselves when passing through Cangzhou,
so as not to anger them.
There have been many
Wushu styles which have originated from Cangzhou. In the
recent past, many patriots from Cangzhou successfully
defeated many foreign challengers. These prominent Wushu
practitioners include Wang Ziping , Li Guanming , Ding
Faxiang , and Zhang Zhankui . They all left behind many
exciting stories.
Carroll, Sam He
began his martial arts training in 1982, and has been
studying Wushu from Wu Wen-Ching since 1993. He is an
instructor at The Way of the Dragon School and is currently
pursuing a graduate degree in Ocean Engineering. See his
photo demonstration under Shaolin Wushu.
Case, Ron He
is a First Degree Black Belt in Nisei Karate and a Wushu
practicitioner. He is the leader of the S.Y.L. Wushu
Institute Hard Qigong Performance team. See his photo
demonstration under Wushu Sanshou Dao.
Central Guoshu
Institute The national martial arts organization founded
in Nanjing in 1928 by Zhang Zhijiang . It was
responsible for organizing national competitions, training
Wushu instructors, testing, and promoting Wushu. It was later
relocated in Sichuan and closed in 1949. Many graduates of
the Central Guoshu Institute are currently leading Wushu
professors, coaches, and Wushu leaders in China. Also see
Guoshu.
Cha A fork
like weapon. There are many types of cha. Cha were used for
hunting and fishing, and gradually evolved to become Wushu
weapons. Long cha usually consist of three prongs with a pole
extension (Drawing C-1). Short cha are also referred to as
Nancha (, Drawings C-2 and C-3). Nancha are typically used in
pairs and practiced mostly in Southern Styles.
Figure
C-7: Southern Cha/Ayron Howey
Figure
C-8: Cailifo Cha/Hilbert T.S. Yiu
Chain see Bian
Chan A
Buddhist practice following the Sutrayana practices of the
Mahayana Vehicle. It is also romanized as Zen from the
Japanese pronunciation. The original word came from the
Sanskrit word, "dhyana".
Chan A
shovel. It evolved from a farming tool into a weapon. Ancient
monks living outside of the temples often used this weapon.
It was used to carry heavy weight, make paths when traveling
in the mountains, and as a self-defense weapon. Well-known
chans include: Fangbianchan (, Drawing C-4) and Yueyachan (,
Drawing C-5).
Figure
C-9: Yueyachan/Wang Ziping
Chan, Paul He
began his Wushu training in 1942. He is the disciple of Chen
Dou , a prominent practitioner of Daopai. He is also
well-known for his Hongjiaquan and Cailifoquan. He is the
first president of the Confederation of Canadian Wushu
Organizations and the president of the Canadian National
Chinese Martial Arts Federation. See his photo demonstration
under Daopai.
Chang, Chung-Jen
He is a prominent practitioner of Taijiquan. He was a
consultant for the highly acclaimed movie, Pushing Hands.
He has produced several instructional Taiji videos and hosted
a Taijiquan cable TV program. He was a grandchampion at a
national Taiji tournament and has judged competitions in
various localities. He is especially well-known for his
remarkable fluidity and flexibility. During his 20 plus years
of teaching, he has developed his own successful system of
increasing the flexibility of the body. His wide range of
studies include: Taiji Daoyin, Chen Style Taijiquan, Yang
Style Taijiquan, Taiji Sword, and Push Hands. He currently
teaches in Maryland, USA, and gives workshops throughout
North America. See his photo demonstration under Taijiquan.
Changjiang see
Yangtze River
Changquan Long
Fist. This is a term referring to the many Northern Style
Wushu including: Chaquan, Huaquan, Paoquan, Hongquan,
Liuhequan, Yanqingquan, etc. Changquan movements are usually
long, open, and extended. It includes many fast and agile
maneuvers, as well as, high jumps and aerial kicks.
Modern competition
Changquan routines have absorbed the characteristics of
Chaquan, Hongquan, Huaquan, Paoquan, Hongquan, in its
routines. Changquan is suited for youngsters learning Wushu
because it sets a solid foundation for studying other styles
of Wushu. In Modern Wushu competitions, Changquan routines
must include a proper fist, palm, and hand hook; and the five
basic stances, gongbu , mabu , pubu , xubu , and
xiebu . The routines must also contain a definite amount of
punching, palm striking, elbow striking, spring kicking, high
sweep kicking, low sweep kicking, and slap kicking
techniques. They must also contain a definite amount of
balancing, jumping, and tumbling techniques.
Figure
C-10: Lift Knee and Flash Palms/Liang Shou-Yu
Figure
C-11: Changquan Closing Posture/Zou Yinghui
Figure
C-12: Block Up in Empty Stance/Liang Shou-Yu
Figure
C-13: Changquan/Liu Yu
Figure
C-14: Changquan/Liu Yu
Figure
C-15: Gongliquan /Jeff Bolt
Figure
C-16: Changquan/Sanford Lee
Figure
C-17: Changquan/Katrina Leung
Figures
C-18 and C-20: Wushu Basics/Derek Cheng,
Fremont Woo, Tjhie Wei Tjong, William Lai,
Michael Holmes, Mo Hui, Yang Chen-Han, Perry
Lo, and Fred Ho
Figure
C-19: Changquan/Tadeusz Gacki
Figure
C-21: Changquan/Henry Gong
Figure
C-22: Jumping Side Kick/ Yang Chen-Han and
William Lai
Figure
C-23: Changquan/Ivan Wong
Chaquan A
major Wushu style. Its training content is both systematic
and complete. Chaquan, Huaquan, Hongquan, Paoquan, and
Tantuimen are from the same origin. It has traditionally been
very popular among the Hui ethnic Chinese. The Hui people are
predominately of the Muslin faith giving the Chaquan style a
very close tie to the Chinese Muslin community. It is not
surprising that the practitioners of Chaquan in the past have
mostly been the Hui ethnic Chinese. In 1928, when the Central
Guoshu Institute was founded, Chaquan became one of the
primary required studies at the institute. The teachers were
all Hui ethnic Chinese.
There are many
legends concerning the origin of Chaquan. There are
inconsistent records indicating the origination period of
Chaquan. There are records that indicate it originated during
the Tang Dynasty, Ming Dynasty, and the Qing Dynasty. Despite
the inconsistency in the date of origin, these records all
consistently indicate that this style was founded by a
practitioner with the last name Cha. Cha began teaching his
martial arts in the Shandong area. Later, the martial arts
that Cha taught, spread all over China and became known as
Chaquan. The exact origin still needs to be verified with
more research.
One legend has it,
that during the Tang Dynasty (618-907), General Cha Gelu
led five thousand Hui soldiers to stop the largest revolt
during the Tang Dynasty. The revolt was known as Anshizhiluan
. General Cha was successful in stopping the revolt, but he
was also injured during the engagement. Cha recuperated in
Guanxian County of Shandong Province. While he was there,
he taught his Wushu to the Hui ethnic Chinese. To remember
and honor him, practitioners named their Wushu, Chaquan.
Another legend has
it, that Cha Mier created Chaquan in the beginning of the
Ming Dynasty. Yet, another legend, believes it was created by
Cha Shangyi , an Hui ethnic Chinese from the northeastern
part of China.
There are ten
bare-handed Chaquan routines. Each routine is made up of 30
to 60 techniques. Each application can be practiced
individually or with a partner. The movements start from the
very basic to the more advanced, containing lively and
intricate maneuvers. Each routine has its training key words
and phrases that go with the techniques to assist the
practitioner in memorizing and understanding the
applications. Each routine, also has its particular emphasis
and focus. The ten routines are: Yilu Muzi , Erlu Xingshou
, Sanlu Feijiao , Silu Shengping , Wulu Guandong ,
Liulu Maifu , Qilu Meihua , Balu Lianhuan , Jiaolu
Longbaiwei , and Shilu Chuanquan .
Chaquan is a major
representation of Changquan styles. Modern Changquan routines
are all based on Chaquan and Huaquan foundations. Well-known
representatives of Chaquan in the recent past include: Wang
Ziping and Zhang Yingzheng .
Figure
C-24: Suohouqiang /Wang Jurong
Figure
C-25: Wulu Chaquan/ Wang Jurong
Figure
C-26: Balu Chaquan / Wu Wen-Ching
Figure
C-27: Wulu Chaquan /Grace Wu
Figure
C-28: Silu Chaquan/Wang Jurong
Figure
C-29: Simendao /Wu Wen-Ching
Figure
C-30: Chaquan/Denise Breiter-Wu
Figure
C-31: Chaquan/Betty Lew-Watson
Chau, William
President of the Chinese Wushu Association ( ) in Ontario,
Canada and a lifetime member of the Hong Kong Chinese
Medicine Association . He is a prominent practitioner in
Tantuimen, Piguaquan, Fanzi Yingzhuamen, Cailifoquan,
Mizongquan, Dachengquan, and traumatology. See his
photo demonstration under Dachengquan.
Chen, Bill He
is a prominent Wushu practitioner in Texas. He was a Wushu
instructor at the University of Washington. He was a judge at
many U.S. National Wushu competitions. He is one of Liang
Shou-Yu's students. In the early 1980's, he was responsible
for inviting Liang Shou-Yu to teach Wushu at the University
of Washington. See his photo demonstration under Liuhemen.
Chen, Irene A
member of the Canadian Wushu team. She was a gold medalist
many times in U.S. and Canadian international Wushu
competitions in the compulsory Nanquan and other categories.
She is a S.Y.L. Wushu Institute instructor and is included in
the book, the Chinas Contemporary Wushu Masters
( ). See her photo demonstration under Dao.
Chen, Jian
Also known as Chen Dingfu and nicknamed Luyadaoren . He
is the 23rd generation head instructor of the O-Mei Qigong
and Sword School . In his youth, he was a member of the
Sichuan Wushu team winning numerous gold medals. He was a
Wushu instructor at Chengdu Physical Education College and a
head instructor at Chengdu City Police Academy. He is also a
prominent practitioner of traumatology. Currently, he teaches
and does his healing practice in San Francisco, California,
U.S.A. See his photo demonstrations under Emei
Shierzhuang and Emei Wushu.
Chen, Tony
Also known as Chen Zhaohui. He learned Wushu from his father,
Chen Jian, since age six. He has been a gold medalist in
numerous national championships in China, and received his
Wuyin title in 1991. He was the U.S.A. Kickboxing Champion
and International Kung Fu Champion in 1997. He is the founder
of the O-Mei Kung Fu Academy in San Francisco, California,
USA. He is also the Chairman of the California Affiliate of
the International Wushu Sanshou Dao Association. He is a
Sixth Level Black Belt in Sanshou Dao. In 2000, he appeared
on the cover of Kung Fu Qigong Magazine. He has demonstrated
in several instructional videos. The instructors at his
school include many prominent Wushu practitioners. See his
photo demonstrations under Bajiquan and Tanglangquan.
Chen, Xiaowang
(1946-) A prominent representative of the 19th generation
Chen Style Taijiquan. He has been a Taijiquan gold medalist
and a recipient of Outstanding Performance awards many times
in China national Wushu championships. He has written two
books on Chen Style Taijiquan. He currently teaches in
Australia and gives workshops around the world. See his
photo demonstration under Taijiquan.
Cheng, Aiping
A former member and later became a coach of the Zhejiang
Wushu team. She attained gold medals in both double sword and
Sun Style Taijiquan, and a silver medal in Yang Style
Taijiquan in a National Wushu competition in China. She is
the demonstrator in the official Sun Style instructional
video produced by the China Sports Committee. In the 1970's,
she was a member of the Wushu Delegation to the United States
and performed at the White House. Since her immigration to
the U.S., she has been active as a judge in U.S. national and
international Wushu competitions. She currently teaches in
Connecticut, U.S.A. See her photo demonstrations under Taijiquan
and Mulanquan.
Cheng, Derek
A S.Y.L. Wushu Institute instructor. He is a Canadian
national Sanshou competition silver medalist in the 75-80
kilogram category. He is also included in the book, Chinas
Contemporary Wushu Masters . He is a Third Level Black
Belt in Wushu Sanshou Dao. In 2001, he was the gold medalist
in the 70 to 75 Kg Canadian National Sanshou competition in
1999. He was selected to represent Canada at the 6th World
Wushu Championships. In 2001, he was also certified by the
International Wushu Federation as an International Sanshou
Fighting Judge. He is a member of the Board of Directors of
Wushu B.C. See his photo demonstrations under Yingzhuaquan,
Huanglinpai, Emei Shaolin, Gun, and Wushu
Sanshou Dao.
Cheng, Kexin
A prominent Yijing and Bagua prediction practitioner. A
Sichuan native, also known for his Qigong and Sanshou
ability. He is the founder and chairman of the China
Kexingzhang Association , an International Wushu
Sanshou Dao Association affiliate. In his youth, he studied
Wushu and Sanshou from Liang Shou-Yu. He was also selected as
one of the top ten Qigong practitioners in China, in Whos
Who in the World , and Chinas Contemporary
Wushu Masters . He has written several books about
Bagua, Qigong, and healing. His students have received gold
medals for their Qigong and Sanshou abilities. He gives
workshops all over China and has been well received by both
Chinese and foreign students. Many magazines and newspapers
have dedicated articles about him. See his photo
demonstration under Kexingzhang.
Cheng, Shaoming (1969-)He
started his Wushu training when he was six. He has won first
place in several martial arts tournaments both in China and
in the U.S.; subsequently he has been invited to be a judge
at numerous martial arts tournaments. He was a student of Sha
Guozheng (, 1904-1993), a prominent practitioner of
Baguazhang, Xingyiquan, Taijiquan, and Tongbiquan. He
currently teaches Taijiquan, Xingyiquan, and Baguazhang in
Athens, Georgia; and is the chief coach of the U.G.A. martial
arts team. He is also pursuing his Ph.D. degree at the
University of Georgia. See his photo demonstration
under Xingyiquan.
Cheung, Kerry He
began his Hongjiaquan training when he was five with his
father, Raymond Cheung. He is now an instructor of
Hongjiaquan and a practitioner of Lion Dancing. Through the
introduction of his father, he has also been training at the
S.Y.L. Wushu Institute since 2000. He has competed in many
West Coast North American Wushu competitions and attained
many gold medals and all-around championships. See his
photo demonstration under Hongjiaquan.
Cheung, Purdy
She began her Hongjiaquan training at age five with her
father Raymond Cheung. She is now an instructor of
Hongjiaquan and the drummer for the Lion Dancing team.
Through the introduction of her father, she has also been
training at the S.Y.L. Wushu Institute since 2000. She has
competed in many Wushu competitions and attained many gold
medals. See her photo demonstration under Hongjiaquan.
Cheung, Raymond
A prominent practitioner of Shaolin Hongjiaquan. He was the
Vice President of the West Coast Martial Arts Association,
Vice President of Wushu B.C., and the Vice President of the
Confederation of Canadian Wushu Organizations. He was
instrumental in the organization of several west coast
international Wushu championships and the Canadian Wushu team
selections. See his photo demonstration under Nanquan.
Chi Kung see
Qigong
Chiang, Che Cheng
A native of Taiwan, he started his Wushu training when he
was a child. He is a prominent practitioner of TCM
traumatology and a prominent promoter of Wushu. He was the
director and head coach of the Taipei City Guoshu. He
attained over twenty gold medals in all Taiwan and
international Sanshou competitions. In 1968, he was invited
to Japan and Korea to teach Wushu. He was awarded a ninth
degree black belt. He has a Master's and a Ph.D. degree in
Oriental Medicine, and received a professor certificate from
the state of California. He is currently the President of the
U.S.A. Chinese Kung Fu Association, President of the
International Wushu Federation, and president and chairman of
many other organizations. He has organized eight World Cup
International Wushu Championships. See his photo
demonstration under Dao.
Chin, Chris A
member of the Canadian Wushu team. He has been a gold and
silver medalists many times in U.S. and Canadian national
Wushu competitions. He studied at the S.Y.L. Wushu Institute
from 1992 to 1997. Later, he also trained under Li Wenqi,
Bruce Fontaine, and Fred Whitting. See his photo
demonstration under Xiandai Wushu.
Chin, Douglas
A member of the Canadian Wushu team. He has been a U.S. and
Canadian national gold medalist and all-around champion many
times in international competition routines. In the 1995
World Wushu Championships held in the U.S. he attained a
silver medal in the compulsory saber category, and in the
1999 World Wushu Championships held in Hong Kong, he attained
fourth place in the compulsory spear category. He studied at
the S.Y.L. Wushu Institute from 1992 to 1997. Later, he also
trained under Li Wenqi, Bruce Fountaine, and Fred Whitting. See
his photo demonstration under Xiandai Wushu.
Chongqing City
One of Chinas four municipalities that is under the
direct jurisdiction of the central government. Chongqing is
located next to the Yangtze River within Sichuan Province. It
is the newest of the four Chinese cities that are under the
direct jurisdiction of the central government. It has a
population of over 30 million people as of 1999.
Choy Lay Fut see
Cailifoquan
Chuanquan Translated
as Boat Fist. In the Wuxing area of Zhejiang Province, people
often tie two boats together and set up a platform for a
fighting competition. Chuanquan was the result of these
competitions. There are many barehanded and weapon routines
in this style.
Chui A hammer
like weapon (Drawing C-6). The hammer head can be shaped like
a cube, sphere, or melon. It can have long handles or short
handles. Long handled chui are usually used as one weapon,
where as short handled chui are often used in a pair.
Traditional chui were made of bronze or iron. They can weigh
up to 20 Kg each.
Figure
C-32: Tiangangchui / Wu Wen-Ching
Chung, Andrew He
began his martial arts training in 1969. His teachers
include: Chang Yuan-Wei, Huang Wei-Lun, Lee Kwong Ming. His
foundation training comprised of the Hakka Tanglangquan
(Southern Praying Mantis), Baimeiquan, and Yongchunquan. He
later studied the Internal Styles of Taijiquan, Baguazhang,
Xingyiquan, and Liuhebafa. In the 1980's he was the gold
medalist in numerous competitions in the United States. For
the past decade, he has served as a judge and an advisor for
numerous national competitions in the U.S. He is also an
active promoter of martial arts competitions within the state
of Florida where he resides and has been teaching since 1979.
See his photo demonstration under Nanquan.
Chuojiao Translated
as Piercing Feet. This is a style that focuses primarily on
the applications of the feet. It is classified as Changquan.
Legend has it, that Wu Song , a hero of the Song Dynasty
(960-1126) used Chuojiao to defeat his adversary. Wu Song was
also known for his heroic feat in killing a man-eating tiger
with his bare hands. "Wu Song Strikes the Tiger "
is a very well-known story in Chinese folklore. Wu Song is
credited as the founder of this style.
Figure
C-33: Chuojiao/Michael Li
Cohen, Kenneth S.
The Executive Director and founder of the Qigong Research and
Practice Center. He is a world renowned health educator,
China scholar, and Qigong practitioner with more than thirty
years experience. He is the author of the internationally
acclaimed book, The Way of Qigong. He currently
teaches Qigong, Taijiquan, Baguazhang, and Xingyiquan in
Nederland, Colorado, U.S.A. More about him and his school can
be found at www.qigonghealing.com. See his
photo demonstrations under Wudang Wushu and Xingyiquan.
Comet Hammer see
Liuxingchui
Cane see Guai
Concealed Weapons
see Wushu Anqi
Contemporary
Wushu see Xiandai Wushu
Cotton Fist see
Mianquan
Cotton Palm see
Mianzhang
D
Dabeiquan Legend
has it, that it originated during the Ming Dynasty. It was a
style practiced by the monks at the Henan Shaolin Temple and
at Wutaishan . Dabeiquan is based on the teachings of the
Buddhist Dabeizhou . In the 1960s, a high priest,
Qiyun Fashi , taught this style in Beijing.
Practitioners of
Dabeiquan are required to recite a phrase from the sutra
along with each posture. Its characteristics include that of
Taijiquan, Xingyiquan, and Baguazhang. There are two routines
in this style. They are Bashiliushi and Yibaiershiliushi
.
Information provided
by Yuan Shaoliang.
Figures
D-1 and D-2: Dabeiquan/Yuan Shaoliang
Dachengquan Also
known as Yiquan and translated as the Great Accomplishment
Fist. It was created by Wang Xiang-zhai (, 1885-1963). Wang
learned Xingyiquan from Guo Yunshen . Later, Wang focused
on the yi component, discarded the xing component of
Xingyiquan, and focused on standing postures to develop
internal strength, and created Yiquan. Wang traveled
extensively all over China and exchanged techniques with
Wushu practitioners throughout China. Because Wang was also
good in Taijiquan, Baguazhang, and Shaolin Wushu, and had a
high level of attainments, people later referred to his
creation of Yiquan, as Dachengquan, meaning the great
achievement style. This was because he was able to integrate
the essence of different Wushu styles into Yiquan.
Figure
D-3: Dachengquan/Zhang Shu-Fang
Figure
D-4: Dachengquan/William Chau
Dagger see
Bishou
Damo (?-536)
Damo or Bodhidharma was the 28th generation successor of Chan
Buddhism from Southern India. He came to China in the
520s. According to legend, he traveled from Guangdong,
then to Henan Shaolin Temple. He is regarded as the father of
Chan Buddhism in China. For lack of a better choice and lack
of definite information, and also to honor him, many Shaolin
Wushu and Qigong methods were credited to him.
Dang It is a
long weapon with a spear head and a moon shaped piece below
the spear. Around the moon shaped piece are sharp ring blades
(Drawing D-1). Dang are usually over 8 feet long and may
weigh up to 200 pounds.
Dao It is to
a curved and bladed weapon with a short or long handle, such
as a saber. Dao is known as baibingzhidan or the spirit
of all weapons. Dao movements are described as a fierce
tiger. Dao has many different types including: Dandao ,
Shuandao , Dadao , Guangong-dadao , Chunqiudada ,
Qinglongdadao , Jiuhuandadao , Pudao , Duandao ,
Yaodao , Miaodao , and Xiaoshuangshou . In the ancient
military and Wushu, the commonly used dao were: Dandao, a
single saber; Shuangdao, a double saber; Dadao; and Pudao.
Dadao (Drawing D-2)
is known as the baibinzhishuai or the commander
of all weapons. Pudao (Drawing D-3), also referred to as Shuangshoudai
is shorter and lighter than the Dadao, but longer than
a single saber. It was the choice weapon for many legendary
generals in ancient China.
Figures
D-5 and D-6: Qinglongdadao (100 plus
pounds)/Liang Shou-Yu
Figure
D-7: Pudao/Wu Wen-Ching
Figure
D-8: Butterfly Knives/Sunny Tang
Figure
D-9: Zhanhuadao /Maria Liang
Figure
D-10: Dadao/Mike Sigman
Figure
D-11: Dadao/He Tao
Figure
D-12: Dadao vs. Saber/Chiang Che Cheng
Figure
D-13: Double Sabers/Malee Khow
Figure
D-14: Saber/Irene Chen
Figure
D-15: Pudao/Zhang Peng
Figure
D-16: Saber/Rafael De La Cruz
Daopai This
style originated from Shaolin Wushu. It was taught by a monk
named Ruilong . Many of the Shaolin Buddhist monks were
counterrevolutionary against the Qing Dynasty. The Qing
Emperor persecuted the Shaolin monks everywhere they went. To
disguise himself and his teachings, monk Ruilong named his
Wushu, Daopai, so as to mislead his persecutors.
The notable
practitioners of this style include: Yu Yunlong , Yu Mei
, and Chen Dou . The known routines include: Yingtouquan
, Zhongweiquan , Sijinggangquan , Damoquan , Shiba
Luohanquan , Dianluohanquan , Zhifawhenlu , and Rouqiao
. Daopai also has many different weapon routines and
sparring sets.
Figure
D-17: Daopai Quangong /Paul Chen
Dashaozigun see
Gun
Dashengmen see
Houquan
Deer Hook see
Yuanyangyue
De La Cruz,
Rafael He began his martial arts training in 1969 and has
continued his Wushu training with Wu Wen-Ching since 1999. He
is a Way of the Dragon School assistant instructor; and he is
the Vice President of the Latin American Operations for the
GTECH Corp. See his photo demonstration under Wushu
Bingqi.
Diaojiaquan Translated
as Diao Family Fist. Legend has it, that it originated in
Jiangxi Province and spread to Meixian and Xingning in
Guangdong Province.
Dishuquanfa Translated
as Ground Dog Style. It is also known as Digongquan and
Gouquan . Known for kicking techniques executed after
intentionally falling to the ground, and other ground
fighting techniques. There are over ten known routines in
this style.
Ditangquan Translated
as Ground Style. This style was recorded in the Ming Dynasty Martial
Classic of Jixiaoxinshu by Qi Jiguang . Qi
indicated the existence of ground fighting methods of Qiandie
Zhang . Other known ground fighting information includes
the Internal Family Fists 72 Ground Fighting techniques
. Ditangquan uses offensive ground fighting techniques to
engage their opponents. Some known traditional barehanded
routines include: Jiugunshibadie , and Jiudishibagun ;
weapon routines include: Guntangdao and Gunlongqiang .
Figure
D-18: Splits Breakfall/Dianne Naughton
Figure
D-19: Ditangquan/Joel Timons
Du Cane, John (1949-)
One of the prominent figures in the promotion of healing and
martial arts in the United States. He was born in South
Africa and was educated in England where he earned a Masters
Degree in English Literature from Cambridge University. He
began his Qigong and Taijiquan practice in 1975 with many
prominent practitioners from China, England, and North
America; including the practitioners: Chiu, Choi, Liang
Shou-Yu, Wu Wen-Ching, Chen, Terry Dunn, Paul Dillon, and Ken
Cohen. Since 1990, he has owned Dragon Door Publications, a
mail order house and publisher for resources on Qigong,
healing, fitness, and internal martial arts. He is the author
of four instructional videos on Qigong and a form guide for
animal Frolic Qigong. See his photo demonstration
under Qigong.
Drunken Style
see Zuiquan
Duanbang see
Gun
Duanbin Boji
Short weapon sparring. This is a fighting competition
category in Wushu. In this competition, competitors must
follow the specific rules and guidelines for the use of short
weapons.
Figures
D-20: Short Weapon Sparring/Zhang Shu-Fang
and Zhao Li-Ying
Figure
D-21 Short Weapon/Zhao Li-Ying
Dumen Translated
as Du Family Style. In the 1600s, Du Guanyin of
Sichuan taught many students in Chengdu . Dumen uses the
Zijiqishen philosophy from Yijing . The known routines
of this style includes: Simenquan and Baiheizhuang . Its
fighting training includes: Yinyangshou , Taijishou ,
Wuxingshou , and many types of weapon training.
Dunhuangquan A
Wushu style based on the drawing, Dunhuang Bihua . Its
movenents are graceful and firm, containing both defensive
and offensive applications. The movements of the fist, palm,
hook, claw, fingers, and the entire arm are closely
associated with the energy channels in the body. Dunhuangquan
is a physical exercise that is good for toning the body,
weight loss, and illness prevention. It is also entertaining
to watch and enjoyable to perform. The known routines
include: Dunhuangquan and Dunhuang Rings .
Information provided
by Zang Lijuan.
Figure
D-22: Dunhuangquan/Zang Lijuan
Figure
D-23: Dunhuang Rings/Zang Lijuan
E
Eagle Claw Style
see Yingzhuaquan
Eight Trigram
Palm see Baguazhang
Emei Piercer see
Emeici
Emei Shaolin
Translated as Shaolin Wushu of the Emei Mountains. It
inherited its training from the Shaolin Temple. The Emei
Shaolin routines are, however, no longer available in the
Henan Shaolin Temple. This style contains both hard and
intricate neutralizing techniques. It is a style with
routines containing only practical Sanshou applications. The
known routines include: Tiangan , Qixing , Heihu ,
Tianhe , Feilong , and Bafa .
Figure
E-1: Heihuquan/Liang Shou-Yu
Figure
E-2: Heihuquan/Wu Wen-Ching
Figure
E-3: Huweitui /Andrew Wu
Figure
E-4: Tianganquan/Derek Cheng
Emei Shierzhuang
Translated as Emei Twelve Postures. Legend has it, that the
Chan Buddhist priest, Baiyun , created this style in the
Emei Mountains. He combined Taoist, Medical, and Buddhist
philosophy with Qigong, and created this style during the
Southern Song Dynasty (1127-1279). There are twelve steps in
their training. Thereby, the name, Shierzhuang.
Figure
E-5: Emei Shierzhuang/Chen Jian
Emei Wudang
Neijiaquan Translated as Internal Style of Emei and
Wudang. According to legend, a wandering Taoist from Emei
named Wang Loadao went to the Wudang Mountains to study
Neijiaquan which was created by Zhang Sanfeng . Wang
further developed what he learned and it became known as Emei
Wudang Neijiaquan. There are five known barehanded routines
and one staff routine.
Emei Wushu
This is a term referring to all the styles that originated
from the Emei Mountains. Emei Wushu is one of the three major
groups of Wushu styles in China. The others are Shaolin and
Wudang Wushu. The Emei Mountains are considered one of the
four major Buddhist mountains in China, as well as, one of
the famous Daoist mountains. The Emei Mountains are located
at the southwestern part of Sichuan Province. The peak of the
Emei Mountains reaches an elevation of 3,099 meters above sea
level, making it the highest peak in the Sichuan Valley.
There are also numerous Buddhist temples in these mountains.
Emei Wushu includes
the essence of both Shaolin and Wudang Wushu. As early as the
Ming Dynasty, there had been written documentation of Emei
Wushu. During the Qing Dynasty, more and more styles began to
surface from the Emei Mountains. There are over 300 Emei
Wushu styles with over one thousand barehanded and weapon
routines. Many of the specific Emei styles are introduced
under their own heading.
Figure
E-6: Erzhichan /Haideng Fashi
Figure
E-7: Emei Eagle Claw/Lu Xiaoling
Figure
E-8: Libaishiyijian /Chen Jian
Figure
E-9: Emei Jingangquan /He Tao
Figure
E-10: Emei Shequan /Maria Liang
Figure
E-11: Emei Kuaishuaiquan /He Tao
Figure
E-12: Emei Spear/Lu Xiaoling
Figure
E-13: Emei Sword/Lu Xiaoling
Figure
E-14: Emei Double Swords/Li Rong
Figure
E-15: Chuanlinjian/Li Rong
Emeici Translated
as Emei Piercer. This was a weapon used in ancient water
combat. It is a short piece of metal which is thick in the
middle and tapered to sharp ends. It has a spinable ring in
the middle for the fingers to fit through (Drawing E-1).
Emeici are usually used in a pairs.
Figure
E-16: Emeici/Kelly Maclean
Emeipai Quanshu
Dantaolu Translated as Individual Wushu Routines of the
Emei Mountains. There have been many well-known routines
taught in the Emei Mountains. Many of these routines are
practiced by practitioners of other styles and have been
incorporated into other styles. They have lasted for a long
time and have spread all over China.
These routines
include: Shisantaibaoquan , which was taught in the palace
of the Qing Dynasty and combined the essence of 72 different
routines into one; and Liuchengquan , which was created
over 200 years ago by a Emei Mountain monk by imitating the
movements of white crane and the legendary green dragon.
There are many others including: Jianzhuangquan , Emei
Luohanquan , Jiji Sanshiliufa , Sanhuaquan , Emei
Meihuaquan , Emei Zuibaxian , Xiaofuhu , Emei
Neijiaquan , Songxi Sanshou , Emei Xiaohongquan ,
Jianzhuangquan , Emei Shazhou , Xiaojingan-quan , Emei
Gongliquan , Emei Taiquan , Kongmen Ruanshou ,
Manjianghong , and Sipingdazhenquan .
F
Fangmen Translated
as Fang Family Style. This is an Emei Style. Fang Shunyi
created Fangmen by combining Shaolin with Xingyiquan and
"Xiao " style. There are twelve known barehanded
routines and five weapon routines.
Fanziquan Translated
as Turning Body Fist. It was recorded as Bashanfan during
the Ming Dynasty (1368-1644) by General Qi Jiguang .
Fanziquan is classified as Changquan. Its movements are
described as "Two fists are fast like the falling rain
drops, and fast like a snapping whip". Fanziquan
routines are usually short and fast.
In the 1860s,
after a failed revolt against the Qing empire, Fanziquan and
Chuojiao practitioner, Zhao Shanyi , retreated to Hebei
Province and taught Fanziquan and Chuojiao there. It was then
that Fanziquan also spread to Shenyang . Yu Boqiang was
a well-known Fanziquan practitioner from Shenyang. In the
1930s, it spread to Sichuan Province.
Some of the known
traditional routines include: Chuibafan , Kaoshoufan ,
Caishoufan , Qinshoufan , Liushoufan , Yanqingfan ,
Yingzhuafan , Gunbangfan , Sanshoufan , and
Jianzhongfan .
Figure
F-1: Fanziquan/Guo Jianhua
Figure
F-2: Fanziquan/Wu Wen-Ching
Figure
F-3: Fanziquan/Hui Mo
Farrands, Barry He
has been studying Wushu since 1995 with Wu Wen-Ching. He is
an assistant instructor at The Way of the Dragon School. He
is also a long distance runner and medal winner in many
races. See his photo demonstration under Shaolin
Wushu.
Fenghuolun see
Quan
Finger, Steve He
has been studying martial arts since 1971 and began his Wushu
training in 1986 with many leading Wushu practitioners in the
United States. He is a database applications developer. He is
currently based in Connecticut, U.S.A. See his photo
demonstration under Wushu Bingqi.
Fontaine, Bruce
He is a prominent Wushu practitioner. He was a member of the
Canadian Wushu team in 1986. He began his Wushu studies with
Cailifoquan. In the middle of the 1980's, he began studying
Wushu from Liang Shou-Yu. He received two Bronze medals in
the Second World Wushu Invitational Championships. He is a
member of the Board of Directors and Wushu Form Chairman of
Wushu B.C. He has appeared in many Hong Kong action movies.
He currently teaches in Canada. See his photo
demonstration under Xiandai Wushu.
Fu An ax. Fu
usually refers to a short handled ax (Drawing F-1). Long
handled axes are referred to as yue (, Drawing F-2). Short
axes are practiced singularly or in a pair. In ancient times,
long axes were used by practitioners on horseback.
Fu, Zhongwen
(1907-1997) One of the best disciples of Yang Chengfu , and
one of the most prominent representatives of Yang Style
Taijiquan. He was the founder of the Yongnian Taijiquan Club
in 1944, a Shanghai City Taijiquan instructor from
1958-1971, and the Vice Chairman of the Shanghai Wushu
Association in 1979. His whole life was dedicated to the
teaching and promotion of Taijiquan. He has taught many
outstanding Taijiquan students. He the author of an
authoritative book, Yang Style Taiji Saber. See his
photo demonstration under Taijiquan.
Fujian Hequan
Translated as Fujian Crane Style. This is one of three major
crane styles. Fujian Hequan includes four unique
characteristics. They are the Zonghequan (, Ancestral Crane),
Shihequan (, Ravaging Crane), Feihequan (, Flying Crane), and
Minghequan (, Shrieking Crane). The more predominant
characteristics of each are: the vibrating power of
Zonghequan, the hooking and clawing movements of the
Shihequan, the flapping arms of the Feihequan, and the loud
shrill sound emitted along with the applications of the
Minghequan.
Also see Baihequan
and Wuzuquan.
Fujian Province
A Chinese province located at the southeastern part of
continental China which borders the Taiwan Strait to its
southeast. It covers over 121 thousand square kilometers with
a population of over 32 million people as of 1999.
Fujian Shaolin
Temple see Shaolin Temple
Funk, Jon He
was a Chairman of the Western Canada Chinese Martial Arts
Association. He is a promoter of Tiger Balm International
Karate-Kung Fu Championships, and has a monthly column in Black
Belt Magazine titled "Legends of Kung Fu". He
is an 8th generation practitioner of Tanglangquan. He is a
member of the Board of Directors and the Traditional Wushu
Form Chairman of Wushu B.C. He teaches Seven Star Preying
Mantis Kung Fu in Vancouver, British Columbia, Canada. See
his photo demonstration under Tanglangquan.
Fushi Wushu Fu
Style Wushu. Towards the end of the 1920s, five
northern Wushu practitioners traveled south to Guangdong and
other southern provinces to teach Wushu. They were known as
the "Five tigers that went south of the Yangtze River
". One of them was Fu Zhensong . He was a native of
Henan Province and studied under many prominent Wushu
instructors. He was the head coach of Guangdong and Guangxi,
and the head coach at the Nanjing Central Guoshu Institute.
Yang Chengfu and Sun Lutang were his good friends and
training partners. Fu Zhengsong absorbed the essence of the
other styles and founded Fushi Wushu. Some of the well-known
Fushi Wushu routines include: Fu Style Taijiquan, Taiji
Shandianzhang , Bagua Longxing-zhang , Chongfengquan ,
Xianrenzhang , Liangyi-quan , Sixiangquan , Taiji
Shandianchui , Bagua Xunfengdao , Zhanshenqiang ,
Wudang Feilongjian , Luanpijian , Bagua Qimengun , and
many sparring routines.
Fu Zhensong had many
prominent disciples including: Fu Yonghui, Sun Baukang, Lin
Chaozhen, Liang Richu, Liang Qiangya , Cui Rongji , and
Li Huangsheng. His son, Fu Yonghui continued his
fathers legacy and by continuing Fushi Wushu in
Guangdong Province for over 60 years. Today, there are many
other well-known Fushi Wushu practitioners in the U.S., they
include: Johnny Kwong Ming Lee , Mark Bow-Sim , Nick
Gracenin, Jose Johnson, Joel Timons, etc.
Figure
F-4: Fu Style Taijiquan Lightning Palm/Liang
Qiangya
Figure
F-5: Fu Style Bagua Dragon Palm/Liang Qiangya
Figure
F-6: Fu Style Spear/Liang Qiangya
Figure
F-7: Fu Style Bagau Staff/Liang Qiangya
Figure
F-8: Lianyiquan/Nick Gracenin
Figure
F-9: Fu Style Baguazhang/Jose Johnson
G
Gacki, Tadeusz (1954-)
One of the most significant figures in the promotion of Wushu
in Poland. He began his martial arts training in 1967. He was
the Vice President of the first Polish Commission of Kung
Fu/Wushu. He was the first person to organize Polish national
Wushu competitions. In 1994, he assisted in the founding of
the Polish-Chinese Association of Wushu (Nanbei) and was its
first vice president. He has authored three Qigong books.
Many of his students are Polish and U.S. national and
international Wushu champions. See his photo
demonstration under Changquan.
Gansu Province
A Chinese province located upstream of the Yellow River which
borders Inner Mogol to its northeast. It covers over 453
thousand square kilometers with a population of over 25
million people as of 1999.
Gao, Xian A
graduate of Xian Sports Institute in Shanxi with a masters
degree in sports science, specializing in martial arts. He
was a China national Fanziquan and Tongbeiquan champion in
1982 and 1983. He has appeared in over thirty movies. He has
over 20 years of teaching experience. Many of his students
are now famous athletes and action stars. He currently
teaches in New York, U.S.A. See his photo
demonstration under Piquaquan.
Goh, Anthony
One of the most significant organizers and contributors of
Wushu in the United States. He is currently the President of
the United States Wushu-Kung Fu Federation (U.S.A.W.K.F.),
the President of the Pan American Wushu Federation (PAWF),
and an organizer of the International Wushu-Kung Fu Festival
and Championships. In 1995, he organized the Third World
Wushu Championships in Baltimore, Maryland, U.S.A. It was the
first world Wushu championship in North America. He is a
prominent practitioner of several Wushu styles and known for
his Sanshou abilities. For more information about him and
U.S.A.W.K.F. please visit www.usawkf.org. See his
photo demonstration under Kejiaquan.
Goldberg, Herb
He is a prominent Taijiquan practitioner in Atlanta, Georgia.
He is an advisor of the U.S.A. Wushu Kung Fu Federation, a
national judge of Taijiquan and Push Hands. He currently
teaches in Atlanta, Georgia. See his photo
demonstration under Taijiquan.
Gongfu 1. The
pinyin romanization of Kung Fu. 2. An attainment gained
through the input of time and effort into a particular
discipline.
Gong, Henry He
is a prominent Wushu instructor in the New York area. He has
been teaching Wushu for over twenty-eight years. He has
taught his unique concepts on Lower Spinal Rotation at the
Massachusetts Institute of Technology and the University of
Delaware. His past and present affiliations include the
Amateur Athletic Union and the National Association of Asian
American Professions. He currently teaches in New York City. See
his photo demonstration under Changquan.
Gou A hook
sword. It is a narrow blade sword with a hook at the tip of
the sword, a moon shaped blade next to the handle of the
sword, and a sharp end (Drawing G-1). It is an ancient short
weapon that can be practiced singularly or as a pair. There
are many well-known gou routines including: Chagou ,
Xinggou , Shiersugou , Xuepiangou , and Juanjiangou .
Figure
G-1: Double Hook Swords/Liu Yu
Gracenin, Nick He
is a prominent all-around martial artist in the United
States. He studied Fushi Wushu from Mark Bow-Sim. He has also
studied many other Wushu styles and routines, especially the
International Wushu competition routines. He has taught many
outstanding students, and is a significant contributor to the
development of Wushu in the U.S.A. Prior to studying Wushu,
he had already attained a fifth level black belt in Karate.
He was the third place all-around champion at the Second
World Wushu Invitational Tournament. He was also an executive
member of the International Wushu Federation. See his
photo demonstration under Fushi Wushu.
Great
Accomplishment Fist see Dachengquan
Ground Style see
Ditangquan
Gu, Daijuan
Also known as, Jennifer Gu. She graduated from the Guangzhou
Athletic University in 1987. She was a former instructor
at Huanan Normal University . She was a Canadian national
Taijiquan champion and a member of the Canadian National
Wushu team. She currently teaches in Canada. See her photo
demonstration under Taijiquan.
Guai A cane.
This is also referred to as Guaizi . It is a crutch or cane
that can be used to assist in walking. A traditional guai
looks like a rod with a smaller piece extending from the
upper part (Drawing G-2).
Figure
G-2: Guai/Tony Bujas
Guangdong
Province A Chinese province located at the southeastern
part of continental China which borders the South China Sea
to its south. It covers over 178 thousand square kilometers
with a population of over 71 million people as of 1999.
Guangxi Zhuangzu
Zizhiqu An autonomous region in southern China which
borders Guangdong to its east and Beibu Gulf to its south. It
covers over 236 thousand square kilometers with a population
of over 46 million people as of 1999.
Guizhou Province
A Chinese province located south of the Yangtze River which
borders Sichuan to its north and Guangxi to its south. It
covers over 176 thousand square kilometers with a population
of over 36 million people as of 1999.
Guoshu Another
term for Chinese martial arts. It literally means national
art of China. It is also romanized as Kuo Shu.
Gun A pole.
It is also referred to as a bang . It is a pole (Drawing
G-3) made from a piece of wood or metal. It is known as the head
of all weapons . A gun is a long weapon that is usually
about the height of person from their feet to their eyebrows
or taller. Often times, when the term gun is used, it
refers to a cylindrical stick that is tapered from one end to
the other, such as, the trunk of a small tree. When the term bang
is used, it refers to a cylindrical pole having the same
diameter throughout its length.
A pole longer than
the distance between the practitioner's feet and eyebrows is
considered a long weapon. Shorter poles are known as duanbang
(, Drawing G-4), short staff. It is also referred to as
biangan . Short staffs are used singularly and as a pair.
The shorter length makes it an easy weapon to carry around.
Some well-known short staff routines include: Shisanbian ,
Sanshiliubian , Tuolobian , and Liu-panbian .
There are also poles
that are connected with chain links such as the Sanjiegun
and Dashaozigun . Sanjiegun is a three sectioned staff
chain-linked together (Drawing G-5). It is classified as a
flexible weapon. Dashaozigun is a two sectioned staff
chained-linked together (Drawing G-6). It is also classified
as a flexible weapon. The well-known pole routines include:
Shaolingun , Ziweigun , Qingtiangun , Zhaotaizu
Tengshegun , Bazigun , Yudayougunfa , and many others.
There is a legend
that during the peaceful and prosperous period of the Tang
Dynasty, even the Shaolin Temple had lost the original nature
of the Shaolin pole applications. A Ming Dynasty general, Yu
Dayou , went to the Shaolin Temple and taught the practical
pole applications to the Shaolin monks. General Yu also
selected two martial monks from the Shaolin Temple to study
pole techniques in the military. Three years later, the monks
returned to the temple and reestablished the fierce and
practical nature of the Shaolin pole techniques. Later, Cheng
Chongdou went to the Shaolin temple to study Shaolin pole
techniques and wrote about it. Chengs book is the
well-known, Shaolin Gunfa Chanzong .
Figure
G-3: Carrying a Staff in Resting Stance/Li
Wenqi
Figure
G-4: Hougun/Wu Wen-Ching
Figure
G-5: Monkey Staff/Hu Jianqiang
Figure
G-6: Biangan/Lu Biao
Figure
G-7: Three Sectional Staff/Derek Cheng
Figure
G-8: Staff/Katrina Leung
Figure
G-9: Staff/Hilbert Yiu, Jr.
Guo, Jianhua He
began his Wushu training at the age of seven in Hubei, China.
He studied under the direction of Professor Wen Jinmin and
Liu Yuehua. He trained and competed professionally for both
Wuhan Institute Professional Team and the Hubei Professional
Team. He was the head coach of the Wuhan Institute of
Physical Education and Hubei Provincial Team from 1972 to
1986. He has published several research articles on the study
and training of martial arts for teenagers. He came to the
U.S. in 1987 as a professor at Ball State University in
Indiana. In 1991, he founded the Championship Martial Arts
Academy in Chicago, Illinois. He has taught many martial arts
champions and movie stars, including: Chris Farley, Anthony
Marquez, and Daniel Pesina. See his photo
demonstrations under Fanziquan and Yumenquan.
H
Haideng Fashi
(1902-1989) Also known as Fan Wubing . He was a prominent
practitioner in the recent past. At age 21, he became a monk
in the Emei Mountains and trained in Yizhijin , Erzhichan
, Tongzigong , and Shaolin Wuquan . He was the former
Henan Shaolin Temple Abbot and Vice Chairman of the China
Buddhist Association. See his photo demonstration
under Emei Wushu.
Hainan Province
A Chinese island province located off the southern part of
continental China. It covers over 34 thousand square
kilometers with a population of over 7 million people as of
1999.
Halberd see
Ji
Hammer see
Chui
Hao, Zhihua A
former member of the Beijing Wushu team and a Wuyin title
recipient. She has attained forty-five top three places in
China national Wushu championships, including nineteen gold
medals. She was a member of the China Wushu team that
performed in many countries. She is a graduate of the Beijing
Physical Education University. Upon graduation she remained
on as a Wushu instructor for the university. She currently
lives in the United States. See her photo
demonstration under Xiandai Wushu.
Hard Whip see
Bian
He, Fusheng (1910-1998)
A prominent Wushu practitioner in China. He inherited his
Wushu from his family and also learned from many prominent
Wushu practitioners. He learned Chaquan from Wang Ziping
and Ma Liang ; Bajiquan from Ma Yingtu ; Xingyiquan from
Huang Bonian , Jiang Rongqiao , and Zu Guofu ; and
Shuaijiao from Hong Wu . He was the Assistant Dean of
Education at the Central Guoshu Institute in 1938. He was
well-known for his fast takedown ability, and was nicknamed
"Maqiansandao Hekuaijiao ". He was the Wushu
coach of the Yunnan Provincial team. He was a committee
member of the Chinese Wushu Association and a Chairman of the
Yunnan Wushu Association. In 1988, he received the
"Wushu Contribution " award. Later, he also
received the "Sport Pioneer Award of New China "
award. See his photo demonstrations under Huaquan
and Taijiquan.
He, Tao A
former head coach of the Guangdong Dongguan City Sports
Association . He began his Wushu studies under Liang
Shou-Yu in 1970 and continued until Liang Shou-Yu immigrated
to North America in 1981. He is a Seventh Level Black Belt in
Wushu and a Sixth Level Black Belt in Sanshou Dao. He has
trained many gold medalists for provincial and national Wushu
competitions in China. He was also an all-around champion in
the 1983 Sichuan Provincial Wushu Competition, and gold
medalist in 1987 for his sword performance in a China
National Competition. He received his Wuyin title in 1987,
became a world competition fighting judge in 1996, and became
a national level coach and judge for lion and dragon dancing
competitions. He currently teaches in San Francisco,
California. See his photo demonstrations under Tongbiquan,
Emei Wushu, Yuanyangyue, and Dao.
He, Weiqi One
of three prominent female swordsmen in the 1970s. In
1974, she was the featured performer in the first official
Wushu Delegation to the United States and performed at the
White House. She was the senior Wushu coach for the youth at
the Shanghai Sports Palace from 1976 to 1989. Her team won
the first place honor for seven years in a row at the
Shanghai National Junior Wushu competitions. She has received
numerous awards from China and abroad, including the
prestigious Chinas Coaches of Excellence award. She has
taught thousands of students all over the world. She has both
appeared in and been the action choreographer for many action
movies. She is the cofounder of the 18-form system of Taiji
Qigong now practiced around the world. In August 2000, she
was featured on the Friday Evening News with Peter Jennings. See
her photo demonstrations under Jian, Quan, Taijiquan, and
Wudang Wushu.
Hebei Province
A Chinese Province located downstream and north of the Yellow
River which borders Shandong, Tianjin, Bejing, and Liaoning
to its east, and borders Shanxi to its west. It covers over
183 thousand square kilometers with a population of over 65
million people as of 1999.
Heilongjiang
Province A Chinese Province located at the most
northeastern part of China which borders Russia to its north
and east, and borders Jilin to its south. It covers over 543
thousand square kilometers with a population of over 37
million people as of 1999.
Henan Shaolin
Temple see Shaolin Temple
Henan Province
A Chinese province located downstream and to the south of the
Yellow River and borders Jiangsu to its east. It covers over
167 thousand square kilometers with a population of over 93
million people as of 1999.
Ho, Fred A
gold and silver medalist in western U.S. international Wushu
competitions. He has been a judge at Canadian National Wushu
competitions. He is a S.Y.L. Wushu Institute instructor. He
is also included in the book, Chinas Contemporary
Wushu Masters . See his photo demonstrations
under Yanqingquan and Wushu Sanshou Dao.
Holmes, Michael He
is a Second Degree Black Belt in Wado Kai Karate, a First
Degree Black Belt in Nisei Karate, and a First Level Black
Belt in Wushu Sanshou Dao. See his photo demonstration
under Wushu Sanshou Dao.
Hong, Yijiao
A member of the U.S. Wushu team. She was a U.S. National
Grandchampion in Internal Styles many times. In 1998, she was
named Athlete of the Year in the U.S.A. In the 1999 World
Wushu Championships held in Hong Kong, she attained seventh
place in the compulsory Taiji Sword category. She is a
graduate of Zhejiang University with a degree in Physical
Education and a majored in Wushu. She was also a former Wushu
teacher at Zhejiang University. She was a chief instructor of
the Wushu team and former faculty member at the Zhejiang
College of Traditional Chinese Medicine. In 2001, she was
certified by the International Wushu Federation as an
International Wushu Forms Judge. She currently teaches in
Seattle, Washington, USA. See her photo demonstrations
under Xiandai Wushu and Taijiquan.
Hongjiaquan Translated
as Hong Family Fist. It is one of the major Southern Styles.
This style was created by Hong Xi-guan of Fujian Province
during the Qing Dynasty. It is also popular in Guangdong
Province and Southeastern Asian nations. Hong learned his
Wushu from Zhishan , a Chan Buddhist monk from Fujian
Shaolin Temple. Hong Xiguan was also the character featured
in the novel Wangnian Qing written in the later
part of the Qing Dynasty. Some of its rotuines include:
Sipingliuzhen , Sanjian , Tiejian , Shixing , Huhe
Shuang-xinguan , Gong-zifuhuquan , Wu-xingquan ,
Shixing-quan , Huquan , and Hequan . Its
characteristics include using sounds to assist in power
emission. Some well-known practitioners in Hongquan include:
Tie Qiaosan , Huang Feihong , and Lin Shirong .
Figure
H-1: Hongjiaquan/John Leong
Figure
H-2: Hongjiaquan/Ken Low
Figure
H-3: Hongjiaquan/Saleem Alamudeen
Figures
H-4 and H-5: Hongjiaquan Matching Set/Purdy
Cheung and Kerry Cheung
Hong Kong A
Special Administrative Region in China, located in the South
China Sea which includes Hong Kong Island. The total area is
about one thousand square kilometers. Hong Kong means fragrant
harbor in Chinese. It was originally part of the
Guangdong Province until after the Opium War in 1842, when it
was ceded to British rule. Hong Kong was under British rule
for nearly one and a half centuries until 1997, when it was
returned to China and became a Special Administrative Region
of China. Hong Kong has a population of over 7 million
people.
Hongmen There
are two legends to the origin of this style. The first legend
believes that it was created by Emperor Zhao Taizu . His
face was always hong or red. Therefore, the style was
named Hongquan and later became known as Hongmen.
The second legend
believes that in the year 1661, the defeated Ming Dynasty
general, Zheng Chenggong , organized a counterrevolutionary
force against the new Qing Dynasty. The organization used the
name Hongmen because the first emperor of the Ming Dynasty
was known as Hongwu . It gradually evolved into two
distinct divisions, the Northern and the Southern Hongmen.
There are over forty-five known barehanded routines, over
seventeen weapon routines, and eight application training
methods.
Hongquan Translated
as Red Fist. Hongquan is popular in Shanxi and Sichuan.
Legend has it, that it was passed down by Jueyuanshangren
during the Yuan Dynasty. Hongquan is classified as Changquan.
Figure
H-6: Xiaohonguqan /Maria Liang
Hongzhimen Legend
has it, that Hongzhimen was created by the Daoist, Hong Jun
Laozu . Later this style was combined with the "Zhi
" style and became known as Hongzhimen. Hongzhimen
places its primary focus on Qigong training. Its Wushu
movements are open and extended. There are six known
barehanded routines, two weapon routines, and seven
application training methods.
Hook Sword see
Gou
Hoover, Paul He
began his Wushu training in 1977 and has been studying from
Wu Wen-Ching since 1990. He is a computer consultant. He
currently teaches Taijiquan at the Community College of Rhode
Island and in the New England area. See his photo
demonstration under Nanquan.
Houquan Translated
as Monkey Style. Houquan is believed to have existed several
thousand years ago. It was recorded in the Ming Dynasty book,
Jixiaoxinshu by Qi Jiguang. Houquan is an imitation
style mimicking the movements of a monkey It is also known as
Dashengmen .
Figure
H-7: Monkey Staff/Hu Jianqiang
Howey, Ayron
He is an instructor at the S.Y.L. Wushu Institute and the
University of British Columbia Sanshou class. In 1999, he was
the gold medalist in the Pan American Wushu Championships and
silver medalist in the Canadian National Wushu Competition in
the 65-70 Kg Sanshou division. In 2001, he was the gold
medalist in the 65 to 70 Kg Canadian National Sanshou
competition. He was selected to represent Canada at the 6th
World Wushu Championships. He is a Third Level Black Belt in
Wushu Sanshou Dao. See his photo demonstrations under Wushu
Sanshou Dao and Cha.
Hsing Yi Chuan see
Xingyiquan
Hsu, Adam
(1941-) A prominent Wushu practitioner known for his vast
knowledge about many traditional Wushu styles. His principal
teacher was the late Liu Yun-Chiao . He has a masters
degree in Chinese literature from Taiwan. He was the General
Secretary of the National Kung Fu Federation of Taiwan,
Instructor to the Republic of Liberia, and Member of the
Republic of China National Kung Fu Delegation. He was the
editor and publisher of Wu Tang Martial Arts Magazine, and a
senior editor of the Kung Fu Library of Wu Chow Publishing
Company. He has written several books and over one hundred
articles in English and Chinese. He has been featured and
honored by numerous magazines throughout the world. He is the
founder of the Traditional Wushu Association. More about him
can be found at www.adamhsu.com. See his photo
demonstration under Bajiquan.
Hu, Jianqiang
He is a famous movie star and Wushu practitioner. He is best
known for his starring role in the movie, Shaolin Temple.
He became a choreographer in Hong Kong for various movies. He
has also appeared in, Kids From Shaolin, North and
South Shaolin, and Shogun. He was a member of the
Zhejiang Provincial Wushu Team, and won numerous all-around
titles. He represented China eleven times and performed Wushu
in over thirty nations. He is one of the most outstanding
athletes, coaches, and performers in China. He has
demonstrated in numerous TV shows that were well received by
the audience. He currently teaches and operates a successful
school in Connecticut, U.S.A. See his photo
demonstrations under Shaolin Wushu, Houquan,
and Gun.
Hu, Zehua Also
known as Simon Hu. He began his Wushu studies at age twelve
under the legendary Wang Ziping; and Wang Jurong, Wu Chengde,
and many other prominent Wushu practitioners in China. He is
well-versed in all areas of Wushu including the ti, da,
shuai, and na components. Under the guidance of Wang Ziping
and Wu Chengde, he has also excelled in Qigong and
traumatology. He has been a judge at U.S. and Canadian
National Wushu competitions and is a founding member of the
Confederation of Canadian Wushu Organizations. He currently
teaches in Toronto, Canada. See his photo
demonstration under Wangshi Wushu.
Huakoumen This
is an Emei Style. Huakoumen focuses on one handed
applications, neutralization training; and utilizes Yin-Yang,
Five Elements, and Bagua as its training philosophy. There
are sixteen known routines in this style and various weapons
training.
Huang, Rena A
1991 graduate of the Beijing Academy of Performing Arts .
She is a first class actor in China. She has received several
outstanding performance awards for her performances in
Chinese National and Beijing dance competitions. She has
starred in several major dance productions and represented
China in good will performances overseas. She has also
appeared in many movies and TV shows. After immigrating to
Canada, she began studying Wushu at the S.Y.L. Institute. See
her photo demonstration under Xiandai Wushu.
Huang, Wei-Lun
Born in Guangzhou, China where he began his studies of
Taijiquan since he was a child. He is a prominent Taijiquan
practitioner in the United States. He has been teaching and
giving workshops in the U.S., South America, and Europe since
1984. His Taijiquan teachers were Lu Zi Ling, a student of
Yang Chengfu, and Ou Yong Ju, the President of the Foshan
Wushu Association. His Liuhebafa teacher was Wang So Ting of
Shanghai. He currently teaches in Florida, USA. See his
photo demonstration under Taijiquan.
Huanglinpai Translated
as the Yellow Forest Style. This is an Emei Style. It is
credited to an old Taoist priest of the Wannian Temple in
the Emei Mountains. During the reign of the Qing Emperor,
Yongzheng (, 1723-1735), the emperor gave an order to arrest
all nonmilitary martial artists. As a result many martial art
practitioners gathered at Jiufeng Mountain as a sanctuary
to practice their Wushu and to share their Wushu with
youngsters that came to learn.
The leaves of the
ginkgo or the maidenhair trees in the Jiufeng Mountains turn
a golden yellow color in the Fall. Thereby, the style was
named Huanglin, meaning Yellow Forest. The known barehanded
routines include: Sipingquan , Dengzhuangquan , and three
Hulongquan , a weapon routine known as Yanlindao , and a
training method referred to as Meirenzhuang .
Figure
H-8: Huolongquan/Derek Cheng
Huaquan Translated
as Flower Fist. According to legend, this style was created
by Gan Fengchi of the Qing Dynasty. It is a short range
style. Huaquan focuses on offensive and defensive techniques.
There are over eighty-eight specific fighting and takedown
techniques.
Huaquan Translated
as Hua Mountain Fist. Legend has it, that this style was
created by the Cai brothers during the Song Dynasty in the
Sandong area. The Cai brothers were prominent Wushu
practitioners who taught their relatives their Wushu. Because
their ancestors were originally from the Hua Mountains, their
style was later named Huaquan.
Another explanation
for the naming of the style is believed to be from the
training of jing , qi , and shen . Jing, qi, and shen
are also known as the three hua , or three pure essences.
By combining the three hua into one it becomes Huaquan.
Huaquan is classified as Changquan.
Figures
H-9 and H-10: Huaquan/He Fusheng
Figure
H-11: Huaquan/Michael Li
Huatao Wuyi A
term referring to the performance art derived from
traditional Wushu, and practiced for the purpose of
entertaining audiences. It is also referred to as Huaquan
Xiutui , which literally means "flowery fist and
embroidered feet". That is, of no combat value.
Since the Ming
Dynasty, peace and raising prosperity in the cities brought
about a greater need for cultural entertainment. Some of
these needs were met by Wushu practitioners wandering into
the cities from the countryside. In order to make a living,
many Wushu practitioners became street performers. Their
amazing abilities were warmly received and further promoted
the increase in the artistic value of Wushu. As a result,
more and more artistically expressive Wushu routines were
created. The Chinese opera and ethnic dances had also been
significantly influenced by Wushu. The popularity of combat
performances in the Chinese opera and ethnic dances pushed
the popularity of Huatao Wuyi to its height.
From an artistic
perspective, it was a wonderful development. From the Wushu
standpoint, Huatao Wuyi had lost its original nature. For
this reason, the Ming Dynasty military officer, Qi Jiquang,
forbade his troops to learn it. However, for people that
didnt know Wushu, it was very entertaining. Therefore,
the development of Huatao Wuyi continues even today.
Hubei Province
A Chinese province located at the mid-stream of the Yangtze
River and borders Sichuan to its west. It covers over 185
thousand square kilometers with a population of over 59
million people as of 1999.
Huen, Siu Hung
A member of the Canadian Wushu team in 1985. He began
studying Internal and External Style Wushu from Liang Shou-Yu
in 1982. He has attained many gold and silver medals in
several international Wushu championships, and was included
in the book, Chinas Contemporary Wushu Masters
. He is a S.Y.L. Wushu Institute instructor. He has trained
many Wushu athletes that have attained outstanding marks in
international competitions. See his photo
demonstration under Wuji Xiaoyaopai.
Huheshuanxingquan
Translated as Tiger-Crane Routine. This is a southern
style routine created by Lin Shirong during the end of the
Qing Dynasty and the beginning of the republic. Lin was from
Pingzhou , Nanhai . Lin studied his family Wushu then
studied from Wu Quanmei , Huang Feihong , etc. He based
his creation on Hongiaquan and Foquan , with the
characteristics of the tiger and crane. Thereby, the name
Huheshuanxingquan, meaning Tiger-Crane Paired Shaped Routine.
This routine consists of 108 postures.
Figure
H-12: Huheshuanxingquan/Tony Bujas
Hui, Mo A
gold medalist in the 1997 U.S. National Wushu championships
in Nine Sectioned Chain, and a Silver medalist in the
Canadian National Sanshou competition. He is an instructor at
the S.Y.L. Wushu Institute. He is a graduate of the
University of British Columbia with a degree in Computer
Science. He is also included in the book, Chinas
Contemporary Wushu Masters . See his photo
demonstrations under Tongbiquan, Fanziquan, Bian,
and Xiandai Wushu.
Huimen This
style was created by Song Luhua of Shandong Province.
Huimen training includes: meditation, visualization, and
intention training. The movements are usually accompanied
with small steps and lower stances. The known routines
include: Yangjianquan , Nazhaquan , Hamaquan ,
Hudiequan , Shetouquan , and Rope Dart.
Hunan Province
A Chinese province located south of the Yangtze River which
borders Hubei to its north and Guangdong to its south. It
covers over 204 thousand square kilometers with a population
of over 65 million people as of 1999.
Hung Gar see
Hongjiaquan
Huquan Translated
as Tiger Routine. This term refers to an imitation routine
that mimics the characteristics of a tiger or leopard. There
are many Huquan routines including: Huquan , Heihuquan ,
Huxingquan , Xingyi Hubaoquan , Menghu Xiashanquan ,
Ehuquan , Baihuquan , and Huzhuaquan .
Huxingquan Translated
as Tiger Style. This is one of the imitation type Southern
Styles. It imitates the tigers characteristics in its
movements. It was created by Zhou Zihe of Fujian Province.
It focuses on short range applications emphasizing the
strength of the fingers or the claws. Some of the known
routines include: Sanzhan , Simen , Wufei , Bagua ,
Qixing , Xiashanhu , and Yibailinbashi .
I
Inner Mongolia
see Nei Mongol Zizhiqu
Internal Style
see Neijiaquan
I.W.S.D. see
Wushu Sanshou Dao
J
Jay, Bok Tong
Also known as Tony Jay. He is a prominent instructor of
Lamapai Kung Fu, Taijiquan, and Qigong. He currently teaches
in Vancouver, British Columbia, Canada. See his photo
demonstration under Lamapai.
Jeet Kune Do see
Jiequandao
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